Waiting for Godot is a masterful exploration of human resilience, hope, and the search for meaning. Beckett’s characters, though caught in endless waiting, embody a kind of quiet strength and humor that reveals the beauty in simply enduring together. The play’s simplicity holds profound depth, inviting audiences to reflect on their own lives, relationships, and the courage it takes to keep going. Beckett’s work resonates with anyone who has ever waited for something beyond their control, reminding us that even in the waiting, life unfolds in unexpected and meaningful ways.
Waiting for godot
All 1 pm performances are indoors at Grizzly Peak Winery. Wednesdays—Sundays, October 15-November 3. $40. ($45 at door)
October 15 Preview: Discount tickets. $30
October 16 Opening: Show followed by wine or sparkling water and a talkback with the director and actors. Benefit for Planned Parenthood SW Oregon. $50. ($55 at door)
Ticket benefits and discounts: Wine Wednesdays (October 22 and 29), Talkbacks Thursdays (October 23 and 30) , Friend Fridays (October 17, 24, 31). Click here for more info.
Tickets are non-refundable and non-transferable to a different play. You may switch the date to another GODOT performance or donate your tickets back to the theater. We don’t charge for exchanges, but please consider making a $5 donation in the basket at the winery. Exchanges are not permitted within 24 hours prior to your show.
Need access seating? Arrive at the winery by 12:10, and let the reception staff know when you check in. Note that the first row may be reserved as a donor benefit. Large print programs are available at each performance upon request. Grizzly Peak Winery is a mobility accessible venue.
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Meet the Artists
Derrick Lee Weeden (Vladmir [Didi])
In 26 seasons at OSF: Magwitch in Great Expectations; Polonius in Hamlet; Mark Antony in Antony and Cleopatra; Faria in The Count of Monte Cristo; Roy Wilkins in All the Way; Elesin in Death and the King’s Horseman; Caesar in Gem of the Ocean; Prospero in The Tempest; The Count de Guiche in Cyrano de Bergerac; Leonard Charteris in The Philanderer; Vincent Baptiste in Mothers Against; Kwesi Ntuli in Daughters of the Revolution [Continental Divide] (OSF, Berkeley Repertory Theatre, Birmingham Repertory/U.K., The Barbican/U.K., La Jolla Playhouse); Brutus in Julius Caesar; Aaron in Titus Andronicus; Vershinin in Three Sisters; Othello in Othello; Hedley in Seven Guitars; Tshembe Matoseh in Les Blancs; Duke in Measure for Measure; Edmond in King Lear; Coriolanus in Coriolanus; Bolingbroke in Richard II; Leonardo in Blood Wedding; Herald Loomis in Joe Turner’s Come and Gone; Warwick in The Conclusion of Henry VI; Pericles in Pericles, Prince of Tyre (Ashland, Portland); Oberon in A Midsummer Night’s Dream; among others. Other theatres: Shakespeare Theatre Company (Washington, D.C.), Seattle Repertory Theatre, PCPA-Solvang, Chicago Shakespeare Theater, Great Lakes Theater, Berkeley Repertory Theatre, Milwaukee Repertory Theater, Alabama Shakespeare Festival, Shakespeare Festival of Dallas. Education: MFA, Southern Methodist University.
Ray Porter (Estragon [Gogo])
In 15 seasons at OSF, Ray played a variety of roles including Valere in La Bête, both Antipholus twins in Comedy of Errors, Puck in A Midsummer Night’s Dream, Kent in King Lear, Mephistopheles in Dr. Faustus and many others. Most recently he was Hickman in Rebel Moon on Netflix. Other film credits are Darkseid in Zack Snyder’s Justice League, The Runaways, Almost Famous, and Argo, among others. A partial list of television credits include 9-1-1, Sons of Anarchy, CSI, Justified, It’s Always Sunny in Philadelphia, Shameless, The Closer, Monk, The Suite Life of Zack and Cody, and Naomi. A multiple-award-winning audiobook narrator, he has narrated more than 500 titles. He plays approximately 14 different characters in the full cast Audible production of The Sandman by Neil Gaiman. He has also voiced characters in video games such as Elder Scrolls and World of Warcraft. He is terribly excited to return to Ashland and to work with Rogue Theater Company again, where he appeared in the 2024 production of Stones in His Pockets.
Jonathan Haugen (Lucky)
Jonathan spent 17 seasons with OSF (roles include: Brutus, Lovborg, Dr. Faustus, Oedipus, Bertram, Christy Mahon), five seasons at the California Shakespeare Festival (roles include: Puck, Jacques, Berowne, Malvolio, Bassanio.) Other theaters include Theater on the Square, ACT, Berkeley Rep, San Jose Rep, Tacoma Actors Guild, Seattle Rep, Arena Stage, BAM, Rock the Ground, Red Poppy, Eureka, and The Water Street Theatre and Deli. Jonathan created the roles in the world premieres for Robert Schenkkan, Bill Cain, Nilo Cruz, and Dan Raizman, among others.
Tasso Feldman (Pozzo)
Regional credits include: The Lehman Trilogy (Denver Center) Intimate Apparel (McCarter Theater); The Seagull, The Taming of the Shrew, The Heart of Robin Hood, A Midsummer Night’s Dream, The Comedy of Errors, On The Razzle (Oregon Shakespeare Festival) Amadeus, Charley’s Aunt, The Two Gentlemen of Verona, The Cocoanuts, The Three Musketeers (Utah Shakespeare Festival) Goldfish (South Coast Rep) Equivocation (Geffen Playhouse) The Goat, or Who is Sylvia? (Lyric Stage Co, Boston) TV/Film: Six seasons on “The Resident,” “Black Box,” “CSI: NY” “The Artist,” “Pirandello on Broadway.” Training: BFA, Boston University.
Robynn Rodriguez (Director)
Robynn has directed Off Peak, Chapatti and Circle Mirror Transformation for RTC. She is an actor who began directing plays professionally in 2013. Once a resident actor at the Oregon Shakespeare Festival, her acting work has been seen at the Public Theatre, Guthrie Theater, Shakespeare Theatre Company, the Kennedy Center, Berkeley Rep, and the Barbican (UK), among others. She has directed King John, The Two Gentlemen of Verona, and As You Like It at the Utah Shakespeare Festival, A Lovely Sunday For Creve Coeur at American Players Theatre, Richard III at Pacific Conservatory Theatre, Hedda Gabler at West Virginia University, and Twelfth Night at University of Texas. Robynn’s work as a director has been a welcome and challenging extension of her work as an actor. robynnrodriguez.com
Samuel Beckett (Playwright)
Samuel Barclay Beckett was born in Foxrock, County Dublin, on April 13, 1906. Beckett wrote his first novel, Dream of Fair to Middling Women in 1932. In Paris and out of money, he went back to Dublin and then moved temporarily to London, where he worked on much of his next novel, Murphy. His first French novel, Mercier et Camier, was written between 1947 and 1950. In this time, he also wrote his famous novel trilogy Molloy, Malone Dies, and The Unnamable. In 1947, he wrote his first play, Eleutheria, which he would not allow to be published during his lifetime. Between 1948 and 1949, he wrote Waiting for Godot. In the 1950s and 1960s, Beckett's playwriting continued with a series of masterpieces, including Endgame, Krapp’s Last Tape, and Happy Days. He involved himself in various productions of his plays across Europe and in the United States, wrote his first radio plays, and created remarkably innovative prose fiction, including the epic How It Is (1961) and the haunting The Lost Ones (1970). Worldwide appreciation of his work growing, he received the Nobel Prize in 1969. The 1970s were a less prolific period, though he managed some new projects, including television plays for the BBC, and continued to interest himself in productions of his theatrical works. In 1977 he began the autobiographical Company and in the early 1980s crafted more prose pieces including Ill Seen Ill Said, Worstward Ho, Rockaby and Ohio Impromptu. His last major work, the prose fiction Stirrings Still, was written in 1986.
SPECIAL THANKS TO OUR SEASON SPONSORS
Carol Fellows and Tim Bewley, Carolyn Mandell, George Paige, Donna Ritchie, Stan Schiffman, and Dick and Elaine Sweet
SHOW SPONSOR
JoAnn Weisel